[PSL] in this sense the open jaws of wild beasts will appear no less pleasing than their prototypes

[katabasis]

The bread that is over-baked so that it cracks and bursts asunder hath not the form desired by the baker; yet none the less it hath a beauty of its own, and is most tempting to the palate. Figs bursting in their ripeness, olives near even unto decay, have yet in their broken ripeness a distinctive beauty.

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[aletheian]

Thomas feels like he is standing nowhere, in nothing; a void, blackness all around them in every direction, this scene just a set-piece like a bit of theater. If anyone steps too far this way or that they'll vanish. As he thinks about it, the world compresses. He hasn't had to make a real decision in over ten years. Has he done anything of his own free will in ten years? He feels dizzy. With James, he has, in this weeks (months?) together. Unless that's all just been responding to him, editing himself to work with him like he's cut away pieces of himself to survive through everything else.

For a moment he's so angry it has to be apparent, the broken line of his shoulders, the tension in his face. No one has moved yet because they're waiting for him to say something, to acknowledge what James is saying and confirm or deny it, because-- he doesn't know why, surely not because he has any actual say, about this or anything.

Marshall is staring at him like he can read his mind, like he can hear Thomas thinking you should all die screaming for what you've done.

"He's right."

Anger leaves him. James is correct and adding the weight of determined vengeance to those who will come after them on top of what mayhem is already being wrought is dangerous; besides, they don't have time. Marshall is saying something. Directing them to where to pick up laundry meant for the overseers, saying they'll be easily mistaken at a distant look, and that 'some of you fuckers definitely need hats'. He looks like a beaten dog that doesn't want it's owner to leave, and Thomas doesn't know how he doesn't shout at him. What did he think. That they were friends.

Bettina, Charlotte, and a few of other other girls are near them now, watching with expectant looks, laden down with bags like pack animals. They stand behind James and Thomas looks over at them, at him, and wants to reach for his hand again but also wants to--

He's fine.

"We'd better get a hat for you and go," he manages.

[katabasis]

It isn't a relief. It isn't anything but necessary. Thomas's anger and the unraveling of Cuthbert's grip and the uneven, rocky feeling in his chest all get left here whether or not it's satisfying. Barnaby is already loping off to fetch some rope and James turns from the overseers (Marshall included) as easily as breathing. There. Sorted. On to the next thing that requires his attention.

He takes two of the bags from Charlotte, slinging them across his shoulders with a grimace, and is already moving to follow Marshall and Thomas's direction. The women - Charlotte and Bes and Bettina and two of the other girls from the laundry are already following. One of them breaks out ahead at a run, crying back that she'll find them things to wear.

James, washed along by the wave of young women, isn't really that far behind her.

But before they can stray far - or before Thomas can follow too closely - Hannah catches Thomas by the elbow. "Mister Thomas--" She might take him by the hands if there were time to do so. Instead she just anchors briefly to his sleeve, mindful of his scarring forearm. She holds him there for just a moment as the women are swallowed up by trailing smoke and ash smell, devolving into darker shapes in the orange streaked night as they cut across the yard for the laundry and James follows after.

"Take care," she says. Not Thank you for saving me or Thank you for all you did. She says: "You're a good kind of man, Mister Thomas. Goodbye."

Then she looses him from her grip, hoists her bags on her shoulders and turns to join her brother and Liam.

[aletheian]

"Don't look back."

What a thing to say.

He doesn't know why.

Bettina does indeed have a map, it turns out, and Marshall wasn't lying about where to collect clothes - he's uncharacteristically quiet as he shoves a pair of boots at Thomas with the kind of mulish intent that says he'd be shouting at him to take them if he could cough anything up. He continues to glare at him until he can't, and sets about showing one of the girls where a rifle is, apparently knowing better than to pick up a weapon right now. Bes shoulders it and lets Thomas have her bags, after he's changed out his shoes. He stares at himself after and almost pulls them off, realizing he'd done what a fucking overseer wanted him to while the plantation is burning. Maybe James sees the blank expression on his face and the look of disgust and horror that flashes there before he returns to normal.

Men are being burned alive at the other end of the field. He wonders if one is Mr Browder.

Marshall tries to say something to James - there's a look on him that means it's important, but whatever it is he just can't make himself get it out.

If he had another minute, perhaps. But they have to go, they have to go right now, and Thomas does have James's hand this time, heading towards the far end of the plantation that'll take them north. There's only one other farm that way, too wild and unsettled still for conquerors of the New World. They'll loop around, one way or the other, but the main roads will be too dangerous right now - to be sure, plenty of men running water to and fro in frantic hope that it doesn't catch the trees and spread to their own property will ignore runners in favor of damage control, but some won't. Some will take pot shots in the dark, some will have dogs.

They have to disappear while they can.

Getting everyone over the damaged fence is easy, somehow, even laden down and most of them in skirts; between the time they leave Marshall and the time they leave the plantation they've attracted one more, a Jacobite named Robert with blood streaked down the side of his face and a pack full of food. He was one of the maybes, and one of the younger convicts. They're five meters out, then ten, and Bettina makes a sound like a sob. Thomas holds her arm and she staggers against him, trudging forward despite her choked crying. Their heads bent together Thomas tells her, "He wanted you to leave. He did. He'd only forgotten."

She doesn't slow.

[katabasis]

Sturdy shoes, a hat, a coat. They aren't the only good things had out of Marshall, but they're certainly the last. They likely count for more than anything the man might have had to say; should it be disturbing how easy James finds it to leave him behind in favor of anything else, everything else, or does it just go without saying that Marshall should understand himself as owning some strange, complicated form of his gratitude. It would've been easy to kill the man, James doesn't think. That should be enough for anyone. He isn't going to say Be well or Thank you to anyone who helped pin Thomas thrashing to the ground. To anyone who had any part in making Thomas so angry, so disparate, so hacked open. He doesn't have the capacity to even think of it.

Bes uses a kitchen knife to cut three strips from a dark shirt. She uses one to tie around the knife's handle and secure it to her apron string, tucking the blade neatly into her pocket. The others she gives to James; he knits them together for a belt, tucking Andies' pistol against his hip. From a distance, he knows the lot of then might almost be mistaken for people. It seems like a strange conclusion to draw, though. Even after they've cut across the firelit landscape and climbed over the fence, passing into the underbrush where the stench of smoke and burning doesn't hang so heavily in the air, it doesn't feel as if anything has shifted like it has.

It's the same night here as it was in the yard. The glow of fire burns through the trees and they are not radically different people from the ones they were forty meters ago. Again and again and again.

Then they plunge North into the deeper wood, Thomas's hand in his in the midst of women and a young man who can hardly grow his beard, and they see that place for the last time.